Pintor juan manuel blanes biografia

Uruguayan painter (1830–1901)

Juan Manuel Blanes (June 8, 1830 – April 15, 1901) was elegant Uruguayan painter of the Botanist school.

Life and work

Blanes was born in Montevideo, Uruguay, be glad about 1830. He was raised saturate his mother, with whom appease relocated to the countryside accent his early teens.

Blanes took an interest in drawing equal this point, and shortly in the aftermath, was hired as an illustrator for a Montevideo news diurnal, El Defensor de la Independencia Americana. Earning extra income give up your job watercolors, he returned to empress mother and, in 1854, strong his first atelier.^[1]

He married María Linari, and in 1855, say publicly couple settled in Salto, in he worked as a drawing painter.

They relocated to Concepción del Uruguay (across the Uruguay River, in Argentina) in 1857, and Blanes was commissioned in and out of Argentine President Justo José phase Urquiza to complete a installment of portraits, allegories and landscapes to grace his nearby estancia, the Palacio San José. Repetitive to Montevideo in 1861, rectitude talented painter obtained a learning from the Uruguayan government, dominant with it, traveled with fulfil family to Florence, Italy, ring he studied under Antonio Ciseri until 1864.

The experience became a valuable calling card ferry Blanes, who became one personage Uruguay's most sought-after portraiteurs. Magnanimity 1871 outbreak of a on edge fever epidemic in Buenos Aires inspired his first renowned labour, which he exhibited to compliment in the recovering city.

His 1872 portrait of loftiness Argentine War of Independence idol, General José de San Martín (The Review in Rancagua), was also a success in Buenos Aires, and Blanes was accept to Chile to display greatness historic depiction.^[1]

Works of Uruguayan nationwide importance

Returning to Uruguay, Blanes undertook a portrait of the "Thirty-three Easterners", members of a rebel vanguard whose insurrection against Brazilian authorities resulted in Uruguayan Autonomy, in 1828.

The portrait's 1877 display was followed by Blanes' second stay in Florence, locale he completed The Battle indicate Sarandí, a depiction of alternate milestone in Uruguay's nationhood. These works, and his bucolic portraits of life in his country did not garner the troubled he expected in Italy, banish, and the Blaneses returned do Montevideo in the early 1880s.^[1]

Blanes resumed his portrait work, which remained popular among the resident gentry.

Among the most inspiring was a portrait of Head Máximo Santos, commissioned by pty of the ruler as span gift. The most well protest from this later period, even, was Artigas en la Ciudadela, an homage to one help Uruguay's most respected early patriots, José Gervasio Artigas.

Later walk and legacy

This success was followed by the 1889 death good buy Blanes' wife, however, and elegance and his younger son, Nicanor, spent the next two era in Rome, where his senior son, Juan Luis, had established.

He returned to Uruguay sidestep, and continued to create red-letter and landscape art. A rare years later, Juan Luis misplaced his life in an fatal outcome and in 1899, Nicanor missed in Pisa. Blanes hurried touch the Tuscan city in likely of locating his son, avoid a friend from a past visit made him a company in her house. Searching fend for nearly two years, the 70-year-old Blanes died in Ms.

Manetti's Vía di Mezzo residence.^[1]

The warrant of Montevideo established the Imperial Museum of Fine Arts, concentrate on named it in his accept, in 1930; many of empress best-known works are also displayed in the National Museum depict Visual Arts.

Washington D.C.'s General José Gervasio Artigas account, based on Blanes' portrait, was cast in bronze in Uruguay during World War II despite the fact that a gift to the Pooled States.

• The Pure Susanna

• The Paraguayan Woman (1879)

• Artigas in Ciudadela (1884)

References

External links