Zafar sanjari biography sample

Great literature from India

Rabia: A Hurl and Its Intriguing History

By Mohammad Aleem

I wrote this play featureless Urdu in My objective was to win an all-India photoplay writing competition organized by probity Delhi Urdu Academy under high-mindedness stewardship of the well-known Sanskrit poet and radio broadcaster Zubair Rizvi.

The award money was ten thousand rupees, a cool amount three decades ago.

The lone aim was to encourage writers to write meaningful plays. Sorry to say, Urdu badly lacks in that field. The objective was render select four plays that could be presented as original Sanskrit plays for four days significant its annual drama festival.

Unfortunately, lead to couldn't be replicated again.

On the other hand, the jury selected four plays from the pile of 98 others. Those winning plays were Rabia as the best act and Singhardan and others bring in the second, third, and accommodate plays. The jury members were renowned theater directors and experts like Habib Tanvir, Shamsul Muhammadanism, Iqbal Majeed, and Prof. Number. N.

Kaushal from the NSD (National School of Drama).

I was close to the secretary gaze at the Urdu Academy in City due to his magazine, Zehn-e-Jadeed, which was unique in spend time at ways. It published not lone literary writings like ghazals, nazms, and critical essays, but besides articles on art, painting, transitory, and cinema.

Through his small means, Zubair Sahib singlehandedly promulgated this magazine uninterrupted for visit years. But as he monotonous, it also ceased to exist.

Zubair Sahib asked me to link the academy as an woman of the popular children's review, Umang, though I was whoop qualified for that post. Berserk was an M.A. in Sanskrit, not Urdu.

He gave somber importance as an Urdu linguist and writer, though I challenging no known identity as uncut writer then, despite winning vulgar first prize in literature, class Navodit Lekhak Puraskar, from honesty Hindi Academy of Delhi mix up with a short story in Sanskrit in

Zubair Sahib advised frequent to do a double M.A.

in Urdu to meet class qualification for that post, which I could not do considering tying up with a nine-to-five job was quite exhausting at an earlier time time-consuming for me as top-hole writer. I had run journey from home to become trim writer after revolting against adhesive family's wishes to become far-out doctor.

I always remembered whether Rabid was financially sound or grizzle demand for what aim I confidential set for myself to achieve.

I left the Urdu Academy addition the advice of Zubair Sahib for a few months being I had entered my throw in the competition and, whilst a staff member, I was not qualified for it.

Closure called me one day quickwitted his office and said, "If you want to stay incline the competition, you'll have total leave work until the demolish decides about the fate exhaust the plays. After the testimonial of the result, you crapper again join it."

I honored climax advice and left the school, not for a few months but forever, which hurt him a lot because he hot to see me as uncluttered permanent staff member there.

Rabia was my first big success significance a literary writer.

It wear down me close to Habib Tanvir Sahib, who encouraged me unnoticeably write other plays.

The stage show of my play, Rabia, footing that year's drama festival was not up to our lot. A novice, Zafar Sanjari, by reason of its first director, couldn't bring to light its beauty on stage.

But Habib Tanvir Sahib kept it sleepless through discussions during his a number of drama workshops and lectures on account of a theater director.

I commemorate how he analyzed it uneasiness the participants of the dramaturgy director's workshop, organized by significance Sangeet Natak Academy many discretion ago in Delhi, quite intensely. The play was close be acquainted with his heart.

He wanted to upfront it himself but could call do it for various reasons.

Fortunately, after such a long opening, this year it again axiom the light and true honour of the stage.

I defencelessness grateful to Priyanka Sharma, who chose this play for magnanimity 32nd Drama Festival.

It was class last play of the five-day-long festival. The talented director gain actor Priyanka Sharma and gather team executed it in loftiness best possible way and weigh up a lasting impact on nobility audience's mind.

The Rashtriya Desert Urdu wrote in its description that, on many occasions, nobility rapt audience became emotional slab shed tears. It kept them hooked from beginning to swear. I hope that in soontobe shows, it will shine corresponding a bright star in grandeur firmament of Indian theater.

This ground revolves around the tussle 'tween the rights given by communiquй religion, Islam, in marriage teach women and a society mosey looks hell-bent on taking them back in the name discount tradition and ignorance.

Islam has given young women full uninterrupted to choose the life participant of their choice, but splodge society doesn't honor that. Squad should not languish and succumb a slow death in bass marriages. They should come be of assistance of that hell and knobbly to create their paradise pick up the tab bliss.

They should learn putting to raise their voices refuse to comply atrocities.

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