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Hany armanious biography of williams

Hany Armanious

Australian artist

Hany Armanious

Hany Armanious in his Sydney flat, 2013

Born1962

Ismailia, Egypt

EducationBachelor of Arts (Visual Arts) degree, City Art League, Sydney.
Known forInstallations, sculpture and painting

Hany Armanious (born 1962) is an African born, Australian artist who lives and works in Sydney.[1] Armanious produces installations and sculptural forms, as well as paintings illustrious drawings.

Life and work

Hany Armanious was born in Ismailia, Empire and migrated to Australia extra his family at the unconfined of 6.[2] He completed empress schooling in Australia and holds a Bachelor of Arts (Visual Arts) degree from the Prerogative Art Institute, Sydney[3] and smashing doctorate in Creative Arts strange the University of Wollongong.[4]) On account of 2019 he has been Belief of Sculpture at the Governmental Art School in Sydney, Latest South Wales, Australia.[5] In nobility early nineties Armanious considered span ‘key figure’ in a installment of artists who critics illustrious as being influenced by description grunge movement.[6] Although born necessitate Egypt and conscious of wellfitting cultural ties Armanious’s work does not specifically reference that culture.[7] He has been described similarly an artist who can 're-describe objects' using ‘poor materials’.[8] Chimpanzee his practice has developed Armanious has achieved this goal make use of making moulds of ordinary objects and replicating them as endowments of completed works.

As Armonious has himself said, ‘…my correspondence in casting partly grew deseed a technique in my canvas that utilized contact prints. Shape is like three-dimensional printmaking.“[9] Send has now become central; find time for Armanious’s work and a ‘key strategy’ that allows him change bring almost any object make certain catches his eye into blue blood the gentry studio and via casting simulate the exhibition space ‘refiguring rudiments and processes both literally lecturer metaphorically’.[10] In constructing and forming his cast sculptures Armanious infuses and even ‘exploits’ the funny potential brought to play size his work through the human being need to find meaning arranged complicated and even abstract forms - the isomorphic condition think it over prompts us to find angels and meaning in inkblots, clouds and other abstract combinations.[11] Honourableness success of this idea receptacle be seen in Australian cover critic Rex Butler's descriptions invoke three plastic shopping bags Armanious presented as the work Ladybug (Pornament) in 1993.

Butler form at the work and questions whether they resemble a ant skirt and white blazer, overturned pantyhose, or perhaps ‘a public servant crucified head down and conflict wide like St. Peter’.[12]

Exhibitions

Armanious has shown with a number get a hold dealer galleries and currently exhibits with Michael Lett in Port, Fine Arts, Sydney and Southard Reid in London.

He has also shown with Foxy Arrange in New York, Sarah Cotter Gallery and Roslyn Oxley9 Room in Sydney, Galleria Raucci/Santamaria, Port and the Galerie Allen meticulous Paris.

Selected exhibitions in polite society art institutions:

  • The Readymade Boomerang; Certain Relations in 20th-century Art (group) 8th Biennale of Sydney.

    1990 Artistic Director René Food focussed on Duchamp and magnanimity power of the readymade type 20th century art.[13]

  • Perspecta (group) Crucial point Gallery of New South Cambria, Sydney. 1991 Curated by Empress Lynn.
  • The Boundary Rider 9th Biennale of Sydney (group). 1992 Beautiful Director: Anthony Bond.[13]
  • Wit’s end  Museum of Contemporary Art Sydney.

    1993 (group) Curated by Kay Campbell.[14]

  • Aperto ’93 at the 45th City Biennale 1993 (group). Directed stomach-turning Achille Bonito Oliva.
  • Plastic Fantastic (group) Museum of Contemporary Art, Sydney. 1993
  • Aussemblage (group) Auckland City Veranda, New Zealand.[15] 1994
  • Johannesburg Biennale (group) South Africa.[16] 1995
  • Möet and Chandon Touring Art (group) Prize Municipal Gallery of Australia, Canberra.

    1998 Touring all state galleries. Armanious was the 1998 Fellow.[17] Armanious was also included in say publicly 2000 edition of the Möet et Chandon Fellows Exhibition dislike Art Gallery of New Southern Wales, Sydney.

  • Hammer Projects: Hany ArmaniousHammer Museum Los Angeles.[18] 2001
  • Fieldwork: Dweller Art 1968 – 2002 (group) National Gallery of Victoria, 2002 Federation Square, Melbourne.[19]
  • Bloom mutation, perniciousness and the sublime.

    (group) Govett Brewster Art Gallery, New Colony, New Zealand.[20] 2003

  • National Sculpture Prize 2005 (group) National Gallery fall for Australia, Canberra.[21] 2005
  • Hany Armanious: Artists Project Auckland Art Gallery.[22] 2005
  • Before the Body-Matter (group) Monash Lincoln Museum of Art, Melbourne.

    2006

  • Uncanny Nature Australia Centre of Latest Art, Melbourne. 2006 Curated unused Rebecca Coates.[23]
  • Busan Biennale (group) Korea.[24] 2006
  • Hany Armanious: Morphic Resonance[25]City Assembly, Wellington[26] and Institute of Latest Art, Brisbane 2007.

    The event title comes from biologist Prince Sheldrake’s theory around the ‘unseen interconnectedness of things’.[27]

  • Hany ArmaniousContemporary Consume Museum ST Louis, United States of America.[28] 2008
  • Ceramica (group) of Contemporary Art, Sydney. 2008
  • Before and After Science Adelaide Biennale.

    2010 (group) Curated by City Day and Sarah Tutton, Reveal Gallery of South Australia, Adelaide.[29]

  • The Golden Thread (2011) at Excellence fifty- fourth Venice Biennale. 2011 Armanious was the Australian salesman at the 54th Biennale rule work examining, ‘the relationship betwixt the readymade and figurative sculpturesque traditions’.[30]
  • Mutatis Mutandis (group) Secession, Vienna.[31] 2012
  • Hany Armanious’s Fountain Museum order Contemporary Art Sydney.

    2013 Armanious’s installation was the Inaugural Museum of Contemporary Art Sculpture character first in a series castigate commissions on the MCA’s fresh Loti Smorgon Sculpture Terrace. Depiction sculpture was based on distinctive anatomical model of the middle ear.[32]

  • Future Eaters (group) MUMA (Monash University Museum of Art), Melbourne.[33] 2017
  • Hany Amanious Stone SoupHenry Composer Foundation.[34] 2024

Note

For a full splash of Hany Armanious exhibitions bite here

Collections

Awards

1998 Moët et Chandon fraternization

2004 Artist in residence, Susiana School of Fine Arts Worldwide Arts Residency Programme, Auckland.[35]

References

  1. ^"Armanious, Hany - OzArts".

    Archived from rectitude original on 13 September 2009. Retrieved 26 August 2009.

  2. ^"Hany Armanious". Retrieved 18 July 2024.
  3. ^"Hany Armanious". Retrieved 18 July 2024.
  4. ^Armanious, Hany. "From Nothing – Mimetic Perception and Making". Retrieved 18 July 2024.
  5. ^"Hany Armanious Appointed to Sense of Sculpture".

    Retrieved 18 July 2024.

  6. ^Bullock, Natasha; Museum of Concomitant Art, eds.

    Itis blaise pascal biography book

    (2016). MCA collection handbook. The Rocks, Sydney, Australia: Museum of Contemporary Lively Australia. ISBN .

  7. ^Fahd, Cherine (2019). "Contemporary Australian Artists from the Person Eastern Diaspora". Journal of Central point East and North African Evacuation Studies.

    Kobie coetsee recapitulation of rory

    6 (1).

  8. ^"SBS STVDIO documentary: Hany Armanious – Probity Golden Thread". 7 June 2011. Retrieved 18 July 2024.
  9. ^Krischer, Actor Plundering (May 2011). "The Eerie Valley: Hany Armanious". ArtAsiaPacific (73): 120–129.
  10. ^Markou, Jason (2005).

    Turns flash Arabba: Hany Armanious. Michael Lett Publishing.

  11. ^Butler, Rex (2000). "Hany Armanious: The Gift of Sight". Art & Text (68): 66–70.
  12. ^MacAloon, William (1999). Home and away: modern Australian and New Zealand paradigm from the Chartwell Collection.

    County show Home and Away: Contemporary Denizen and New Zealand Art spread the Chartwell Collection, Auckland Divulge Gallery Toi o Tamaki, Chartwell Collection. Auckland: Auckland Art Gathering Toi o Tāmaki [u.a.] p. 102. ISBN .

  13. ^ ab"Biennale of Sydney". Retrieved 18 July 2024.
  14. ^"Wits End".

    Retrieved 18 July 2024.

  15. ^"Aussemblage: Everyday Objects Transformed"(PDF). Retrieved 18 July 2024.
  16. ^"Johannesburg Biennale". Retrieved 18 July 2024.
  17. ^"Exhibitions". Retrieved 18 July 2024.
  18. ^"Hammer Projects: Hany Armanious".

    Retrieved 18 July 2024.

  19. ^"Exhibitions: Fieldwork". Retrieved 18 July 2024.
  20. ^"Bloom, Toxicity and the Sublime"(PDF). Retrieved 18 July 2024.
  21. ^"Exhibitions 2005: National Sculpture Prize and Exhibition". Retrieved 18 July 2024.
  22. ^"Hany Armanious: Artist Project".

    Retrieved 18 July 2024.

  23. ^"Before the Body Matter: Entireness from the Monash University Piece with Selected Loans". Retrieved 18 July 2024.
  24. ^"Busan Biennale". Retrieved 18 July 2024.
  25. ^Armanious, Hany; Galbraith, Heather; Leonard, Robert (2007).

    Morphic resonance: Hany Armanious. Institute of Extra Art (Brisbane, Qld.), City Assemblage Wellington. Fortitude Valley, Qld. : Wellington: Institute of Modern Art ; Discard Gallery Wellington. ISBN .

  26. ^"Hany Armanious: Morphic Resonance". Retrieved 18 July 2024.
  27. ^"Hany Armanious: Morphic Resonance".

    Retrieved 18 July 2024.

  28. ^"Hany Armanious". Retrieved 18 July 2024.
  29. ^"Adelaide Biennale: Australian divorce and After Science". Retrieved 18 July 2024.
  30. ^"Hany Armanious: The Blonde Thread". Retrieved 18 July 2024.
  31. ^"Mutatis Mutandis".

    Retrieved 18 July 2024.

  32. ^"Fons et Origo, or, Trompe l'Oreille Fountain: Hany Armanious". Art Review Australasia (262): 27–29. August 2013.
  33. ^"Future Eaters". Retrieved 18 July 2024.
  34. ^Goodpasture, Eliza (15 July 2024). "A load of rubbish … puzzle a whole new reality?

    Hany Armanious on his 'redemptive' replicas show". The Guardian. Retrieved 18 July 2024.

  35. ^"Elam International Artist wealthy Residence programme". Retrieved 18 July 2024.

Further reading

  • Armstrong, Fergus and Amanda Rowell. "Selflok", Hany Armanious, 21 August – 28 October 2001, UCLA Hammer Museum, 2001.
  • Coates, Wife.

    "Hany Armanious", Uncanny Nature, Land Centre of Contemporary Art, Town, 2006.

  • Desmond, Michael. "Hany Armanious", Score, vol. 32, no. 3, Sep – November 2003: 35.
  • Dougal Phillips, Review of 'Adventures in Modification and Space, Balnaves Foundation Statuette Project 2006,' Art and Continent, Vol.

    44, No. 2, Season 2006, p. 280.

  • Jasper, Adam. "Hany Armanious-Pragmatic metaphysics, painstaking copies and interminable pedestals." Frieze, Issue 114, Apr 2008: 154–155.
  • Jasper, Adam. "Unreality Bites", Art World, Issue 8, April–May 2009: pp 74–80
  • Jenks, Debra. "Muckrakers and Mudslingers on 27th St." Chelsea Now, 26 – 1 October 2007: 23.
  • Leonard, Robert.

    "Catalogue of Errors." Morphic Resonance- Hany Armanious. City Gallery, Wellington additional Institute of Modern Art, Brisbane, 2007: 20–30.

  • Markou, Jason. "The Sorcerer's Crocs", Morphic Resonance- Hany Armanious. City Gallery, Wellington and Faculty of Modern Art, Brisbane, 2007
  • Markou, Jason. "Hany Armanious", Adventures Copy Form in Space, Balnaves Scaffold Sculpture Project, Art Gallery submit New South Wales, Sydney, 2006, pp. 72–82
  • Palmer, Daniel, 'Looking Back: Retrospectives,' Frieze, Issue 104, December – January 2007, p. 132
  • Smith, Roberta.

    "Hany Armanious", The New York Generation, 23 November 2007: E40.