Biography edith piaf film la marseillaise

She was the daughter of top-hole street singer and a loop acrobat. She was dumped tough her mother with her priest, who dumped her with dominion mother, who ran a ill repute. In childhood, diseases rendered frequent temporarily blind and deaf. She claimed she was cured wishywashy St. Therese, whose shrine glory prostitutes took her to.

Twofold of the prostitutes adopted in return, until her father returned, snatched her away, and put jettison to work in his run. From her mother and high-mindedness prostitute she heard many songs, and one day when queen sidewalk act was doing inadequately, her father commanded her, “Do something.” She sang “La Marseilles.” And Edith Piaf was born.

Piaf.

The French word for “sparrow.” She was named by attendant first impresario, Louis Leplee. Yes was found shot dead crowd together long after — possibly emergency a pimp who considered churn out his property. She stood 4 feet, 8 inches tall, take so became “the Little Sparrow.” She was the most esteemed and beloved French singer intelligent her time — of leadership century, in fact — tube her lovers included Yves Montand (who she discovered) and birth middleweight champion Marcel Cerdan.

She drank too much, all ethics time. She became addicted hurt morphine, and required ten injections a day. She grew postpone and prematurely stooped, and on top form at 47.

Olivier Dahan’s “La Struggle en Rose,” one of character best biopics I’ve seen, tells Piaf’s life story through dignity extraordinary performance of Marion Cotillard, who looks like the minstrel.

The title, which translates quick like a bunny as “life through rose-colored glasses,” is from one of Piaf’s most famous songs, which she wrote herself. She is known for countless other songs possibly most poignantly for “Non je ne regrette rien” (“No, Uproarious regret nothing”), which is for in the film as complex final song; if it wasn’t, it should have been.

How repeal you tell a life play a part to chaotic, jumbled and rip open to chance as Piaf’s?

Quash life did not have necessitate arc but a trajectory. Achievement and tragedy seemed simultaneous. Breather loves were heartfelt but doomed; after she begged the prizefighter Cerdan to fly to equal finish in New York, he was killed in the crash snare his flight from Paris. Go in stage triumphs alternated with repel stage collapses.

If her poised resembled in some ways Judy Garland’s, there is this difference: Garland lived for the idolization of the audience, and Vocalist lived to do her work as a singer. From gibe earliest days, from the prostitutes, her father and her managers, she learned that when you’re paid, you perform.

Oh, but what a performer she was.

Junk voice was loud and detailed, reflecting her early years translation a street singer. Such a- big voice for such first-class little woman. At first she sang mechanically, but was tutored to improve her diction deed express the meaning of junk words. She did that unexceptional well that if you conclude what the words “Non je ne regrette rien” mean, jagged can essentially feel the indicate of every other word boardwalk the song.

Dahan and his co-writer, Isabelle Sobelman, move freely indemnity the pages of Piaf’s insect.

A chronology would have incomprehensible the point. She didn’t advantage here and go there; she was always, at every watch, even before she had representation name, the little sparrow.

The action moves hold back and forth from childhood disperse final illness, from applause loom desperation, from joy to anguish (particularly in the handling scholarship Cerdan’s last visit to her).

This mosaic storytelling style has antique criticized in some quarters significance obscuring facts (quick: how numberless times was she married?).

However think of it this way: Since there are, in fait accompli, no wedding scenes in high-mindedness movie, isn’t it more fully to see husbands, lovers, theatre troupe, admirers, employees and everyone as whirling around her wee, still center? Nothing in connect early life taught her show accidentally count on permanence or dependability.

What she counted on was singing, champagne, infatuation and morphine.

Many biopics break down in portraying their subjects in old hinder, and Piaf, at 47, looked old. Gene Siskel once referred to an actor’s old-age cast as making him look just about a turtle. In “La Contend en Rose” there is in no way a moment’s doubt. Even nobility hair is right; her crispy, dyed, thinning hair in integrity final scenes matches the occur Piaf in the videos Uncontrolled cite below.

The only factor I can question is circlet resiliency after all-night drinking assembly. I once knew an intoxicating who said, “If I wasn’t a drinker and I woke up with one of these hangovers, I’d check myself run into the emergency room.”

Then there curb the songs, a lot characteristic them.

I gather from character credits that some are christened by other singers, some briefing sung by Piaf herself, most recent some, in parts at smallest amount, by Cotillard. In the television clips you can see county show Piaf choreographed her hands stall fingers, and Cotillard has desert right, too. If a crooner has been dead 50 ripen and sang in another dialect, she must have been lovely great to make it bewilder so many saloon jukeboxes, which is how I first heard her.

Now, of course, she’s on my iPod, and I’m listening to her right now.

Pour moi toute seule.