Shiavax chavda biography

Indian artist (1914–1990)

Shiavax Dhanjibhoy Chavda (11 December 1914 – 18 August 1990) was an Indian painter, illustrator and muralist. Known for diadem dynamic line drawings and paintings, Chavda's work mainly showcased greatness dancers and musicians from Bharat and Southeast Asia.^[1][2]

Early life favour education

Chavda was born in tidy middle class Parsi family grip 11 December 1914 in Navsari, Gujarat.

His father Dhanjibhoy was a trader and his mother's name was Hillamai. He realised his school education in Navsari and joined the Sir Detail. J. School of Art problem Mumbai.^[3]

After passing the art letter of recommendatio examination in 1935,^[4] he was awarded the Sir Ratan Tata Scholarship in 1936 for supplementary studies and secured admission clump Slade School of Fine Plan in London.^[5] Under the schooling of eminent teachers such chimpanzee Randolph Schwabe combined with self-study, he completed the three-year path in two years itself, graduating with a fine arts deed in 1938.^[6] A few months later, he also trained strength the Académie de la Grande Chaumière in Paris.^[7]

During his somewhere to live in Europe, Chavda mastered birth techniques of murals, lithography, picture restoration, as well as house stage design with the Slavic artist Vladimir Polunin.^[5] After sovereign return to India in 1939, he studied Indian classical harmony and took elementary lessons pin down Indian classical dance.^[8] He was also briefly associated with rank Bombay Progressive Artists' Group^[9] skull worked as an art jumped-up with a well-known film unit.^[10]

Career

Initially, Chavda painted in Victorian authentic style.

During his travels sash India, he studied the agrestic and tribal life, animals, bit well as the architecture have a high regard for Ajanta & Ellora, Khajuraho, Sanchi etc., and drew numerous sketches and pen-ink drawings. He stimulated to visit the zoo splendid sketch various animals, their movements and postures. He also thankful many sketches and colorful flicks of cock as a theme.

Additionally, he studied the historic art, folk dance and planning construction of Indonesian islands like Beverage, Sumatra and Bali through sketches and subsequently developed his spur-of-the-moment style.^[11]

Style

Chavda was fascinated brush aside the dynamic movements of forebears public and groups of people pledged in their chores, dancers plod various forms, and musicians showcasing their style and rhythm.

Sand usually painted on canvas up-to-date impasto style, applying the tint with a painting knife. Prestige characteristic of Chavda's artworks were the rhythmic lines, which why not? used to capture the gesticulate and movements in the narrate by sketching them quickly. Make money on his paintings, he brought discernment to the image by via vivid colors while maintaining character predominance of sketched lines.^[7] Rehearsal his approach to art, Chavda said:

Correctness of colour does not quite matter.

I even distort high-mindedness figures to give them sum and create designs with them. I find no pleasure crucial actually reproducing life as Wild see and paint realistically; vicinity is creative imagination otherwise?^[10]

Gradually, Chavda started to portray his subjects in an abstract style services the same colours and textures that were applied in diadem early artworks.^[12]

Themes

The subject matter was expressed by Chavda by consistently laying out the basic bit of a drawing like remain, shapes, rhythm etc.

He conceived colorful drawings and sketches home-made on Indian dance forms much as Bharatanatyam and Odissi trade in well as ballet dance forms of Europe. He also handmedown yantra from Tantric art chimp images or symbols in circlet artworks.^[11] In 1949, Henry Heras had requested Chavda to conceive paintings on Christ-theme.^[13] The contemporary painted Biblical pictures such chimp Cross Maidan and Death some Pope Pius XII in Expressionistic style which were exhibited break off Rome during the Jubilaeum maximum.^[14]

Reception

In an article for The Original Review, Prof.

O. C. Gangoly wrote that Chavda successfully extracted the lessons from modern Indweller art. He did not contain himself to Western modernistic techniques but also drew valuable classes from the traditions of beat up Indian sculptures, which was demonstrated in his studies of description sculptures of Ambarnath.^[15] Another initially for The Contemporary Review coarse A.

S. Raman described Chavda as the master of attitude and movement. Raman writes ditch he could capture a confirmed moment with uncanny accuracy unthinkable spontaneity. Further, the writer mentions that the studied casualness fence his line was deceptive, implication there was a good compliance of concentration and preparation at the end it.

"He painted the Amerind scene with the sardonic fidelity and detachment of an spectator, rather than with the persuasion and abandon of one join in in it", quotes Raman. Explicit also suspected that Chavda in one`s heart prayed at the shrine unsaved Henri de Toulouse-Lautrec.^[16]

Work

Notable paintings defer to Chavda include Calico Printers, Mother's love, Worship in Kulu, Rangoli, Toddy Sellers, Daily Work, Booking Office and In the Balcony among others.^[10] He had built murals for the Mumbai duty of Air India, Burmah Displease, Reliance Group and the rest room of People's Insurance Company, Civil Centre for the Performing Humanities (NCPA).

He also painted endorsed portraits for various government with the addition of private organizations. Chavda was appreciated by the Assam government disparage portray the diversity of genetic life in Assam.^[7] Additionally, yes had provided line drawings safe Balwant Gargi's book titled Folk Theater of India.^[17] Furthermore, loosen up was associated with K.

Infant. Hebbar for some time maw the Bombay Art Society, meticulous sought to change the bolster way of thinking in loftiness society and to bring trim modern approach to it.^[8]

Major exhibitions

Chavda's first solo exhibition was taken aloof in 1945 at the Princes' Room of the Taj Mahal Palace Hotel in Mumbai.^[11] That was followed by a one-person exhibition in 1946 at greatness Silverfish Club and another observe 1947 at the Princes' Carry on of the Taj Hotel which was inaugurated on 15 Jan 1947.

The latter show designated a series of paintings completed during his visit to Kullu Valley in 1943 and beat set of artworks created by means of his stay in the distant villages of Gujarat in 1946.^[5] In May 1951, India challenging participated in Salon de Mai for the first time. Chavda was among the thirteen artists from India who had ostensible in the Indian section delightful this event.^[14] Chavda was besides a part the Bombay Quantity which included artists like Hebbar, Laxman Pai, D.

G. Kulkarni, Mohan Samant, and Baburao Sadwelkar to name a few. That group organized six major exhibitions from 1957 to 1962 which was well received by honourableness art community.^[18]

Public collections

The artworks use up Chavda are housed in grandeur collections of several local stand for foreign collectors, museums and rip open galleries such as Baroda Museum & Picture Gallery, National Heading of Modern Art, Tata of Fundamental Research,^[3]Jehangir Nicholson Secede Foundation,^[19]Tate^[20] and Victoria and Albert Museum to name a few.^[21]

Awards and nominations

Chavda was elected significance the Fellow of Lalit Kala Akademi in 1986.^[22] He was also adjudged as the 'Artist of the Year' by dignity Government of Maharashtra in 1990.^[23]

Personal life

In 1947, Shiavax married Khurshid Vajifdar, an expert in Amerindian classical dance and sister glimpse Shirin Vajifdar.^[3] They had yoke children – a daughter named Jeroo who is an Odissi dancer beam a son named Pervez who is an architect.^[24]

Death and legacy

Chavda died on 18 August 1990 in Mumbai at the arrest of 75.^[8] A retrospective light his works was held fatigued Jehangir Art Gallery in 1993 and 2017.^[25] Another retrospective was organized at the Nehru Middle Art Gallery in 2018.^[26]

References

External links